Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Each screening will be followed by a discussion with SLCC faculty.

Free and open to the public | No tickets required

Screenings begin at 6 PM

SLCC South City Campus

1575 S. State Street, Salt Lake City

Free parking after 5:00 PM on the east side of South City Campus using code FREEFILMS at the kiosk.

The Perks of Being a Wallflower

PG-13

A pair of charismatic seniors take socially awkward Charlie under their wing.

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The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

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On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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View on site | Email this event

The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

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Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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Here's the link to our website: https://www.slcc.edu/transfercenter/national-transfer-week.aspx

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View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

This semester, Pop Up Library's wil only be held at the West Valley Center from 5:30-7:30 pm on the following days:

Monday, October 5thThursday, October 22ndMonday, November 2ndThursday, November 19th

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

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Please fill out this form to attend: Open Education Conference 2026 Virtual Registration Information – Fill out form

See Open Education Conference 2026 for more information.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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Come Swoop into the U - University of Utah's Open House!

Representatives from different departments will be on campus to help provide information, answer questions, and assist with the transfer process! If you have are interested in transferring to the University of Utah, would like to know more information about the transfer process, financial aid and scholarship info, or have never thought about transferring, please stop by and say hi and chat with all the different colleges/departments!

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

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Each screening will be followed by a discussion with SLCC faculty.

Free and open to the public | No tickets required

Screenings begin at 6 PM

SLCC South City Campus

1575 S. State Street, Salt Lake City

Free parking after 5:00 PM on the east side of South City Campus using code FREEFILMS at the kiosk.

American Movie

R

Aspiring filmmaker Mark Borchardt attempts to finance his dream project by finally completing Coven (1997), a micro-budget horror film he abandoned years before.

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The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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Come Swoop into the U - University of Utah's Open House!

Representatives from different departments will be on campus to help provide information, answer questions, and assist with the transfer process! If you have are interested in transferring to the University of Utah, would like to know more information about the transfer process, financial aid and scholarship info, or have never thought about transferring, please stop by and say hi and chat with all the different colleges/departments!

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

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Each screening will be followed by a discussion with SLCC faculty.

Free and open to the public | No tickets required

Screenings begin at 6 PM

SLCC South City Campus

1575 S. State Street, Salt Lake City

Free parking after 5:00 PM on the east side of South City Campus using code FREEFILMS at the kiosk.

Juno

PG-13

Faced with an unplanned pregnancy, an offbeat young woman makes a selfless decision regarding the unborn child.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

This semester, Pop Up Library's wil only be held at the West Valley Center from 5:30-7:30 pm on the following days:

Monday, October 5thThursday, October 22ndMonday, November 2ndThursday, November 19th

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

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Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

View on site | Email this event

The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

Each screening will be followed by a discussion with SLCC faculty.

Free and open to the public | No tickets required

Screenings begin at 6 PM

SLCC South City Campus

1575 S. State Street, Salt Lake City

Free parking after 5:00 PM on the east side of South City Campus using code FREEFILMS at the kiosk.

Stand by Me

R

A writer recounts a childhood journey with his friends to view the body of a boy who went missing in the woods.

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

Each screening will be followed by a discussion with SLCC faculty.

Free and open to the public | No tickets required

Screenings begin at 6 PM

SLCC South City Campus

1575 S. State Street, Salt Lake City

Free parking after 5:00 PM on the east side of South City Campus using code FREEFILMS at the kiosk.

Burden of Dreams

NR

A documentary following German auteur Werner Herzog as he deals with difficult actors, bad weather and getting a boat over a mountain, all in an effort to make his film Fitzcarraldo (1982).

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The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

This semester, Pop Up Library's wil only be held at the West Valley Center from 5:30-7:30 pm on the following days:

Monday, October 5thThursday, October 22ndMonday, November 2ndThursday, November 19th

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Opening Reception

October 8, 5 - 7 p.m.

On View

October 8 - November 20, 2026

Location

The Center for Arts & Media

South City Campus

1575 S. 200 E.

Salt Lake City

In his solo exhibition Echoes of The Human Condition, Arash Shovieri’s huge, surreal oil paintings breathe with so much life and mystery, you may find yourself physically arrested as you attempt to decode the visual stories on display. These marvelous tableaus feature archetypal, and possibly supernatural figures from various historical and geographic contexts. By presenting them alongside modern-day technologies, Shoveiri invites us to explore timeless themes like our shared histories, our shared futures, and to grapple with powerful forces and alien intelligences beyond the realms of our limited human comprehension. Giant stone figures reminiscent of Meso-American Gods grin at us while wearing blinders reminiscent of VR googles as connective cables disappear into the sky, linking to a higher power and, more importantly, disconnecting the monolithic golems from the realities presented around them. Whether in familiar looking deserts that may be the southwestern United States or the Middle East, or in modern cityscapes, Shoveiri’s figures connect with the viewer in a strangely familiar way, while seeming to break space and time as ancient icons collide with the new religions of our current time: the capture and peddling of our attentions, the all-powerful internet, and Artificial Intelligence as its meteoric evolution transforms our daily lives.

Born in Iran, Shoveiri taught design at Tehran Artists’ House (2007–08) and participated in Tehran Painters Association group exhibitions. From 2008-10, he created a children’s animated series for Iranian TV at Gol Agha Publishing House. He also served as creator and character designer for the stop-motion short Objects Are Closer to You Than What You See in the Mirror, which won first prize at the Tehran Animation Festival.

After eight years in Europe, he relocated to the United States, where he produces new paintings inspired by antiquities, utilizing techniques spanning Realism, Impressionism, Surrealism, and Symbolism.

View on site | Email this event

Dates

October 8 - Nov 20

Location

The George S. & Dolores Doré Eccles Gallery
Salt Lake Community College, South City Campus
1575 S. 200 E.
Salt Lake City, UT, 84115

Abe Kimball resides with his wife and children in the mountains of central Utah. He is dedicated to teaching art in public schools and Snow College. Abe has been entrenched in the arts since a small child, watching various artists, especially his artist-father where he learned the craft of lithography. He also received printer training at Tamarind Institute in New Mexico UNM and a BFA at Brigham Young University. Abe values the medium for both its methodical and seemingly unpredictable processes. Abe also holds degrees in sociocultural anthropology and interdisciplinary studies, where he entertains a love affair with ethnographic research and pseudo-reality.

Today, much of Abe’s art portrays forgotten peoples along with their material culture - the intent is to juxtapose vestiges of cultures with the innocence of nature as symbols of adaptation to life and land. While very absorbed in printmaking, Abe is also known to utilize found objects in sculptural-assemblages. His process might be described as an idiosyncratic recontextualization of archaic subjects.

Abe talks about his art process in terms of participant observation with the physical world. He postulates that, “Our observations create layers of experience… and the gradual, or sometimes abrupt, accumulation or destruction of this information can be transformative... especially as disparate elements of our lives converge to make meaning.”

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

View on site | Email this event

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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For any questions or concerns feel free to reach out to the SLCC University Transfer Center (universitytransfercenter@slcc.edu | 801-957-3909). We're at the Taylorsville Redwood Campus | Student Center (STC) | 1st Floor, near south stairwell open Monday - Thursday from 8:00am - 4:30pm

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On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

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The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

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The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

On View

August 13 - December 23, 2026

Opening Reception

Thursday, August 13

6 - 8 p.m.

Location

"The Call Box" micro gallery

Center for Art & Media

Edna Runswick Taylor Foyer / East Lobby

South City Campus

1575 S. 200 E., Salt Lake City, UT, 84115

Izzy Beauchesne, known professionally as De Izzy, is a Salt Lake City–based mixed media artist and SLCC student whose work explores memory, family, sustainability, and the natural cycle of life. Through immersive sculptural installations, such as her series Archive in the Wild, she transforms discarded objects into living archives that invite reflection and connection.

Her practice began in childhood creating fairy houses from fallen palm fronds with her mother and building miniature sets for stop-motion animation. After moving to Utah, she became one of Dreamscapes’ primary artists and its Volunteer Director, discovering the possibilities of immersive installation art while deepening her commitment to sustainability.

Beauchesne’s perspective on mortality was profoundly shaped by working as a Certified Nursing Assistant. Viewing death as a natural part of life’s continuum, her installations—featuring skeletons, greenery, reclaimed technology, and vintage film—celebrate remembrance and enduring generational bonds, inviting viewers to reflect on their own memories and personal histories.

View on site | Email this event

The Learner's Jazz Jam is open to musicians with a basic familiarity with jazz who are ready to expand their repertoire, improvisation, and ensemble skills. No registration or tuition is required—just bring your instrument and join us.

View on site | Email this event

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ACE may sponsor arts & cultural programming/events that have expressions of: Theater, art or fashion shows, literature, painting, sculpture, poetry, music, dance, architecture, rituals, spirituality, and storytelling.

Have any questions? Please reach out to Miranda Obic (mobic@slcc.edu or 801-957-4565).

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Ken Pomeroy is the founder of KenPom.com, the influential college basketball analytics website used by coaches, media, and fans nationwide. His pioneering efficiency-based metrics transformed how the sport evaluates team and player performance.

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Chad Hymas is an internationally recognized speaker and bestselling author known for his message of resilience, leadership, and perseverance. Following a life-changing accident that left him paralyzed, he has inspired audiences around the world to overcome challenges and achieve their potential.

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View on site | Email this event

ACE may sponsor arts & cultural programming/events that have expressions of: Theater, art or fashion shows, literature, painting, sculpture, poetry, music, dance, architecture, rituals, spirituality, and storytelling.

Have any questions? Please reach out to Miranda Obic (mobic@slcc.edu or 801-957-4565).

View on site | Email this event